The Royal Society of Chemistry summer party was held at the Royal Academy Summer Exhibition on July 20th this year. As my husband Rob is acting Head of the School of Chemical & Physical Sciences at Keele University, we had the pleasure of an invite to this select event. The dress code of “black tie and decorations!!!” meant we were dressed formally for the occasion, which turned out to be great fun. We were on our own most of the time amusing ourselves, but it was nice to bump into a handful of Rob’s science acquaintances as well.
Having been to see the Summer Exhibition before, Rob knew my tolerance/opinions of the art works involved can be limited to say the least. On entering the first room Rob said “I’ll be interested to see what you think of these”. He smiled as I looked around, drew breath and said as I eyed my first two pieces “I like these, I GET them”. I was looking at the Mick Moon pieces 95 At Sea and 97 Dusk, quirkily made I thought in muted colours with a simple yet beautifully expansive design due to the faintest of details. Then I spotted 88 Untitled (Violin) a massive piece of bold coloured acrylic on aluminium by Sir Michael Craig-Martin. This violin seemed bigger in size than a double bass and I thought “violin on steroids with a psychedelic dress sense”. I loved the colours and the clean elegant lines and it certainly grabbed the attention, as did the selling price of £120,000.
We managed to see about half of the exhibition because my attention was distracted by the lovely food buffet provided. Prosecco flowed all night and dainty canapés did the rounds first. As I was examining the artwork in another room I spotted someone with a small bowl of curry! That was it; culture was forgotten as I sought satisfaction in culinary appreciation instead. I unearthed small bowls of vegetable rice with succulent white fish, mini chicken and full sized vegetable kebabs, gorgeous herby prawns, walnut & apple salad and mini buckets of parsnip and sweet potato chips. These were devoured with vigour and thoroughly enjoyed by us; though I’m glad I didn’t come face to face with the duck/blue cheese dish someone waxed lyrical about as we left the venue.
Having had 3 glasses of Prosecco I switched to the delightful non-alcoholic elderflower and raspberry option and returned to the artwork. Unusually Rob stayed on the Prosecco though white/red wines were available too. Further exploration of the exhibition yielded more praise than grumble from me and my all round favourite (from what I viewed) was 274 Heligan by Christine Woodward. A nicely sized acrylic piece of what seemed a beautiful garden (or mountain foliage) with gorgeous greens and yellow hues, with swathes of navy blue and light purples that are almost shimmering on a bright summer’s day. Positioned in the middle of a vast array of other pictures on the right wall of a room, my eyes alighted on it almost immediately and I was transfixed. At £500 it seemed a bargain to me. Another stunner was 138 Calton Hill 3 by Jock McFadyen where an enormous moon hung over a small settlement on a hill, a scene I found very evocative and quite moving. Multiple classical references in 835 Sic Transit Gloria Mundi (After Piranesi) by Emily Allchurch was extremely clever and 544 Yellow Mimosa, July 23 2015 by Donald Sultan simple colourful beauty. My attention was caught by the date which was my Mammy’s birthday.
Just as I came upon two lovely sculptures that appealed to me, a waitress appeared carrying a tray of desserts. This included dinky meringues, tiny mouth watering lemon sorbet cones and delightful milk chocolate lollipops with fudge and salt. Of course I had to try them all (more than once) as I closely studied the sculptures. 770 Venus De’ Medici by Yinka Shonibare was a good looking shapely fibreglass gal with an all over Dutch wax pattern (I thought tattoos but better class) and a hand-coloured globe head! I spotted the globe first as I adore anything with maps but was surprised to see it was attached to a female body. It was sort of radical yet establishment as well and I thought it was terrific, and by far the most expensive item that caught my eye at £162,000. 909 Living Doll by Cathie Pilkington was elegant, graceful and classy and made me think of the little mermaid in Copenhagen.
Whenever I’ve been to the Summer Exhibition before, I’ve made a tally of the items I’ve liked just for fun. This year notched up 35 pieces to catch my attention, ranging from £250 to £162,000, which together totalled £784,195. And I only viewed a fraction of the displays, so I wonder if my appreciation of art is increasing?
In closing this was a lovely evening and I’ve enjoyed revisiting my favourites online where all the display pieces can be viewed at http://www.roy.ac/Explore, until at least 20th August.