Category Archives: Radio

Talking Of Football On Hospital Radio

Football and radio in the 21st century remain intrinsically linked through Hospital Radio Broadcasting and share many similarities. For decades, volunteers have provided live action coverage of games broadcast directly to hospitals, for patients to enjoy. You may wonder if such a service has any relevance anymore, and I would say it is as vital today as it has ever been.  You may also like to read my other blog concerning hospital radio here:

https://angiesallsorts.wordpress.com/2017/05/01/hospital-radio-in-the-21st-century/

Hospital radio as a concept was born in an era when TV was barely an infant, a personal music player, mobile phones and the internet were futuristic science fiction ideas, and radio was king of entertainment. Patient stays in hospital were far longer, visits severely restricted and contact with the outside world minimal. The BBC only had three programs, commercial radio did not exist, and the only real way of following your football team was to attend the match on a Saturday afternoon.

The core ethos of hospital radio was to provide patients with a service not easily found or available elsewhere.  The development of hospital radio was really to provide a much needed personal, message orientated light entertainment program that was easily accessible by patients. In fact, many hospital radio stations began their existence because of an overwhelming desire to provide sports commentary relevant to local teams, as the BBC didn’t provide a sufficiently detailed service.

The organisation I volunteer for, Radio Leighton in Crewe began as a direct consequence of an experimental broadcast of a Crewe Alexandra FC game in 1966. Our archives don’t record the details of that inaugural broadcast, but I know equipment was borrowed from Forward Radio in nearby Stoke who covered both Stoke City and Port Vale games. An internet search of the 66-67 fixture lists suggest Crewe v Bradford City (1-0) on 8th October 1966 could be a candidate, as both Stoke and Port Vale played away that week.  A second Crewe game was apparently covered on January 7th 1967, a FA Cup game against Darlington (2-1).  Both broadcasts proved so popular that the Mayor Councillor Herbert P Vernon convened a meeting to hear all about these activities.  And so it was on May 4th 1967 in the mayor’s chambers the Crewe and District Hospital Broadcast Service was conceived. Fund raising began and in 1968 on April 20th the Crewe v Wrexham game (0-0) was broadcast using our very own equipment. The following November a full broadcasting program to patients began.

Football clubs can vary from Premiership status to lower league county level and consequently differ in size enormously. Likewise hospitals can be huge complexes spread over several sites down to small county establishments. Teams can have anything from a global appeal to a much more localised support. Similarly hospital radio can be (in theory) available to a worldwide audience through internet broadcasting, cover a wider broadcasting area through FM or AM licences, or just be heard by patients within a specific hospital using an internal loop system (Radio Leighton). Clubs can be run on enormous budgets with huge staff numbers, going down to relying on a small cohort of people to run things on shoe string finances. Larger hospitals can rely on a wider geographical area to find volunteers and have a better chance of attracting sponsorship to enable, for example, 24/7 manned hospital radio stations. Radio Leighton being situated in a small town hospital very much runs on a shoe string budget and relies on a relatively small team of volunteers. Our organisation is indebted to both the Mid-Cheshire Hospital Authority and Crewe Alexandra FC. The hospital authorities ensure we have studio space and cover our daily costs, whilst Crewe Alex finance the costs involved in maintaining our phone link between the studio and stadium. In return for this, our football commentary team link also provides visually-impaired fans full action description.

Modern technology offers unlimited entertainment through streaming and instant connectivity and interaction with the world.  There is a lot of assumption in society that EVERYONE has the means to interact with this modern communication phenomenon. But the average age of patients today still finds the biggest majority of them without this capability, or the funds to sustain a service (such as Hospedia TV) during a longer than expected stay in hospital. In this instance, those excluded from the mobile technology world rely on whatever form of entertainment is provided within a hospital complex. That is why a free to access hospital radio service still remains important and an invaluable social service in the 21st century.

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Hospital Radio in the 21st Century

Not everyone engages in today’s modern technology phenomenon where entertainment, news, family and social interactions are accessed in an instant. Society assumes that the majority of us have the means and capability to use modern communication devices (mobiles, laptops etc). However, as a ward walker for hospital radio, I know that there remains a large majority of patients who do not have this facility available to them. Many come from a generation who neither understand nor like or can afford modern devices. Those who do have mobile technology gadgets may not find them particularly easy to use in hospital. Mobile phone usage may be prohibited; the phone/data signals poor to non-existent; keeping phones charged a nightmare; Wi-Fi access unavailable or at a cost, so a longer than expected stay may prove expensive. Consequently those excluded from the mobile technology world, rely on whatever form of entertainment a hospital complex provides. That is why hospital radio still has a role to play in the 21st century. It can provide local news, cover local sports in more detail, convey personal messages and play a much wider more varied selection of music than national/commercial radio stations.

As a ward walker taking patient requests I’ve found myself in a mix of roles over the years. At times I’ve been a patient’s only visitor, other times I’ve felt more like a councillor, social worker, priest, confidante and friend. The music presenter part comes last of all. Through hospital radio a patient has a friend at the bedside, the lonely find companionship, those feeling frazzled by the demands of their illness find a reassuring calming presence and friendly voice on the radio. Having spoken to the patients before I go on air, I’m sure they feel a sense of community and belonging when they listen to me, and have a palpable sense that someone somewhere still does care about them. Speaking for myself, I know that money cannot buy the feelings I’ve experienced over the years serving the patients of Leighton Hospital. It remains an absolute privilege and pleasure helping those who are unwell, feel a little better and more comforted.

Modern technology offers connection and interaction with the world, yet maintains a clinical remoteness as well. Perhaps that’s why many users of social media still claim to experience feelings of great loneliness. By comparison, hospital radio offers an incredibly personal interaction with patients both face to face and over the airwaves. This is a priceless attribute that should be protected and nourished. Long May Hospital Radio Reign.

HOSPITAL RADIO LEIGHTON OLYMPIC SHOW BROADCAST 8TH AUGUST 2012

Four years ago I fulfilled my London 2012 Olympic volunteering duties at Old Trafford. The next day I was doing my regular shift for hospital radio, gathering requests and airing my “Angie’s Allsorts” music show. This is my very own dedicated tribute to the Olympic Games ideal, with Olympic year hits, Olympic sports trivia and musical references to every decade of the modern day games since the 1900s.

Playlist

ELBOW with FIRST STEPS (2012 BBC theme tune- 2010s)

Request (outside usual time slot): BUDDY HOLLY with IT DOESN’T MATTER ANYMORE (1950s)

ELVIS PRESLEY with IT’S NOW OR NEVER (best seller of 1960-Rome games- 1960s)

Linking Lyrics Artist of the Week: ENYA

ENYA with ANYWHERE IS (2000s)

ENYA with ON MY WAY HOME (2000s)

Rarity Record of the Week:

OLYMPIA BORONAT with LES HEUGENOT from Meerbeer (recorded 1908-London’s 1st games)

CELINE DION with MY HEART WILL GO ON (reference to 1912 and Titanic sinking-1990s)

AL JOLESON with I’M SITTING ON TOP OF THE WORLD (1920s- big star in 1910s as well)

BANGLES with ETERNAL FLAME (for the Olympic torch/flame-1980s)

GEORGE FORMBY with BICEPS, MUSCLE & BRAWN (1930s)

RONALD BINGE with ELIZABETHAN SERENADE (1950s)

MONSERRAT CABALLE/FREDDIE MERCURY with BARCELONA (city of 1992 games-1990s)

RAY EBERLE/GLENN MILLER with AT LAST (1940s)

THE NEW SEEKERS with I’D LIKE TO TEACH THE WORLD TO SING (best seller 1972-Munich)

GARY BARLOW/COMMONWEALTH SINGERS with SING (2012-London’s 3rd games)

Duration: 1 hr 18m 27s

If you would like to listen to my show you can stream it from here:

https://soundcloud.com/angies_allsorts/radio-leighton-olympics-from-2012

Summer Festival at Radio Leighton

ANGIES ALLSORTS SHOW 163 RADIO LEIGHTON 15th JULY 2015
7.37-8.37pm: Duration 1hr 1m 17s

My show includes a musical reference related to a major news item, three birthday artists spanning a wide range of music genres, a new song from Neil Diamond’s latest album Melody Road and a current top ten hit from the UK charts.

Playlist

  1. ECHO & THE BUNNYMEN with THE GAME

Linking Lyrics Theme: Pluto (news)

  1. KIDS LEARNING TUBE (audio only) with DWARF PLANET SONG

Rarity Record of the Week: 3. TORNADOS with TRIP TO PLUTO

The New Horizons mission successfully made a fly past Pluto at lunchtime on Tuesday 14th July. The close encounter with the dwarf planet came within about 8000 miles of Pluto’s surface as New Horizons hurtled past at approximately 31,000 mph. The first message sent back from the craft took 4 hrs 25 mins to traverse 4.7 billion kilometres of space. The arrival of this data indicated that the New Horizons craft had survived the encounter intact. Other mission data will take even longer to arrive as New Horizons continues its journey away from Pluto. New Horizons is the fastest craft to have left the Earth’s orbit and has travelled the furthest distance across space.

Birthday: Professor DAME JOCELYN BELL BURNELL astronomer & astrophysicist 72

  1. DIDO with HERE WITH ME
  2. NEIL DIAMOND with (OOO) DO I WANNA BE YOURS (from new album Melody Road)
  3. NEIL DIAMOND with YOU GOT TO ME
  4. ABBA with LAY ALL YOUR LOVE ON ME

Birthday: TREVOR HORN 66 record producer-co-writer, vocalist, percussionist for…

  1. BUGGLES with VIDEO KILLED THE RADIO STAR

Birthday: LINDA RONSTADT 69 country singer

  1. LINDA RONSTADT with BLUE BAYOU

Birthday: JULIAN BREAM 82 guitarist & lute player

  1. JULIAN BREAM with BACH’S LUTE SUITE no.1
  2. BIRDY with WINGS (UK chart no. 8 on 12th July 2015)

You can listen to the show here: https://soundcloud.com/angies_allsorts/summer-festival-radio-leighton

Eurovision at 60: a Celebration

ANGIES ALLSORTS SHOW 160 RADIO LEIGHTON 13/05/15

My playlist is a musical odyssey around Europe to celebrate the 60th anniversary of Eurovision. Some winning songs, lots of contest trivia and places visited will take you from France to Vienna in 14 songs.
Eurovision began 60 years ago in the Italian speaking canton of Switzerland in the city of Lugano. The European anthem heralds the start of the show.
1. CHARPENTIER’S TE DEUM PRELUDE (Noel (NOT Nigel) Rawsthorne on a church organ: France)
Ireland the “Emerald Isle” the most successful country with seven wins. So I will assume for this show that Dublin could be considered the “Emerald City”.
2. SEEKERS with EMERALD CITY (Ireland; tune Ode to Joy by Beethoven-Germany; Seekers-Australia)
Australia invited to participate in the 60th anniversary contest. Aussie DNA runs through the contests history really, especially since Seekers member Keith Potger formed and managed the New Seekers. They represented the UK in 1972 coming second with Beg, Steal or Borrow. Other UK representatives with Australian roots include Olivia Newton-John in 1974 coming 4th and Gina G in 1996 coming 8th. And Ireland’s Mr Eurovision Johnny Logan with 2 singing and 2 composer Eurovision wins is also Australian born!
3. DANA with ALL KINDS OF EVERYTHING (Ireland’s first win in 1970)
Ireland has been happy hunting ground for the UK with two of our five wins (81, 97) being there. We have also won in Austria 67, Spain 69 (first equal with Spain, France & Netherlands) and in The Netherlands 76.
4. DANA INTERNATIONAL (Israel win in 1998)
Israel was the last country to win on British soil and the difference in style between the two “Dana’s” is marked. The 28 year difference gives the Israel song the advantage of disco, big ballad, dance and possibly trance elements within it.
5. NANA MOUSKOURI with THE WHITE ROSE OF ATHENS (Greece)
Nana Mouskouri represented Luxembourg in 1963 coming in 8th.
Considered the most important song from Eurovision is the Italian entry for 1958 which came in third. Nel Blu Di Pinto Di Blu sung by Domenico Modungno went on to win the Grammy Record of the Year and Song of the Year. It has been recorded by several artists and is better known by another name Volare.
6. DEAN MARTIN with VOLARE (Italy)
The least likely place for the contest to be held is in Portugal, as the country has failed to secure a win since participating for the first time in 1964.
7. FRANK CHAKSFIELD with OLD LISBON (Portugal)
The UK has held the Eurovision Song Contest eight times although we have only won it five times. 1960 London Royal Festival Hall; 1963 London BBC TV Centre; 1968 London Royal Albert Hall; 1972 Edinburgh Usher Hall; 1974 Brighton Dome; 1977 London Wembley Conference Centre; 1982 Harrogate International Centre; 1998 Birmingham National Indoor Arena. But although the UK has won five times the country has come second 15 times so all in the UK is probably the most successful country in the competition statistically. At least two of those second places was by a mere point-Sir Cliff Richard with Congratulations and Scott Fitzgerald with Go. At least Scott came second to an artist who became a global star Celine Dion (1988 Switzerland-Ne Partez Pas Sans Moi).
8. FREDDIE MERCURY & MONSERRAT CABBALLE with BARCELONA (Spain)
The Netherlands was the scene for Brotherhood of Man winning with Save All Your Kisses For Me. In the twelve point era (adopted in 1975) this has been the song with the highest percentage of marks 80.39% (164 from a potential 204 points). Other songs have scored higher but at a time with far more countries participating and voting. Ironically as there has been no “nul point” country since 2003, the UK’s only zero scored song Cry Baby by Jemini has gained the lowest score statistically as well.
9. BEAUTIFUL SOUTH with ROTTERDAM (Netherlands)
When the UK has held the contest France has been the most successful with two wins (60, 77) with Spain (68) , Luxembourg (72), West Germany (82), Israel (98) and Sweden (74) being the others. I inadvertently left out Denmark’s win in 1963 during my show and wrongly attributed a third French win instead (they had won in 62).
10. NICOLE with A LITTLE PEACE (West Germany win in 1982)
Great alumni of the Eurovision Song Contest who have represented the UK include Matt Monro (64), Kenneth McKellar (66), Sir Cliff Richard 68 & 73), Mary Hopkin (70), The Shadows (75), Bonnie Tyler (2013), Engelbert Humperdinck (2012).
11. MATT MONRO with FROM RUSSIA WITH LOVE (Russia)
Engelbert Humperdinck was 76 when he performed but is not the OLDEST PERFORMER. That accolade goes to Emil Ramsauer the 95 year old who represented Switzerland in 2013. In contrast the YOUNGEST WINNER is Sandra Kim singing J’Aime La Vie for Belgium in 1986.
12. ABBA with WATERLOO (ABBA for Sweden 1974 win and Waterloo for Belgium)
The Vienna Boys Choir was the interval act when Austria held the contest in 1967 and Sandie Shaw won for the UK with Puppet On A String. I wondered if the interval act this year might involve the Boys Choir or the Lippinzer White Horses (possibly a bit messy). Of course Vienna would be an ideal place for a ball room dance perhaps involving Austrian composer Mozart. In 1974 the interval act was very British.
13. THE WOMBLES with MINUETTO ALLEGRETTO (UK dancing to a Mozart symphony)
The 60th anniversary Eurovision Song Contest will be held in Vienna on May 23rd. Can Electo Velvet find success there as Sandie Shaw did in 1967? We shall have to wait and see. My musical journey ends here…
14. ULTRAVOX with VIENNA (Austria)
You can listen to my show here:  https://soundcloud.com/angies_allsorts/eurovision-at-60-radio-leighton-show

Off The Beaten Track 5: FA Carlsberg Trophy Final 2015

On Sunday March 29th at 1330 North Ferriby United faced Wrexham on the hallowed turf of Wembley Stadium to contest the FA Carlsberg Trophy final. Both teams started brightly but Wrexham quickly imposed their league supremacy, when Louis Moult opened the score line in the eleventh minute. From what I could ascertain from the BBC Radio Wales commentary, Wrexham remained dominant at least until half time with the score remaining at 0-1. The game appeared to be beyond North Ferriby’s reach when Jay Harris scored on 59 minutes, or at least that was the impression given by the Radio Wales commentary team who implied Wrexham were in “cruise control”. However, that did not take into account the heart and guts displayed by the “little men” from the East Ridings of Yorkshire.

The critical point of the game seems to have been the 72nd minute substitution of Dean Keates the Wrexham captain, when my audio feed began to describe the Welsh side as disappearing! North Ferriby Utd also seemed to have altered their formation to 4-4-2 compared to Wrexham’s 4-3-3. Suddenly the two front men for North Ferriby were causing trouble and Wrexham were struggling without a natural sitting midfielder, as all three on the pitch were inclined to go forward. Under this resurgence North Ferriby forced Wrexham’s keeper Coughlin to concede a penalty and captain Liam King slotted home to bring his team back into the game. It was now 1-2 with 76 minutes on the clock. With new found confidence North Ferriby (known as The Villagers) put increasing pressure on their opponents and were rewarded, when substitute Ryan Kendall scored to equalise four minutes from time. At 90 minutes the score was 2-2 with four added minutes on the clock. North Ferriby still pressing hard could have pulled off another goal to seal victory before regulation time was called, when Clarke’s last gasp effort produced a fantastic over the bar save from Coughlin. This ended a catastrophic fifteen minute period for Wrexham where they failed to peg back their opponents. At the 90+ minute boos rang out from the Wrexham fans end of the stadium.

EXTRA TIME

I wondered if the better fitness of the Wrexham team (known as The Dragons) would play a part in extra time, especially with the Welshmen having fresher players on the pitch. And although The Villagers appeared to be dead on their feet they kept running none the less. Wrexham’s right-back Steve Tomassen had no real support from the second half onwards, and endured a particularly torrid time from the pace of Jason St Juste. It was from this area that St Juste supplied the cross into the box for Kendall to head in North Ferriby’s third goal. A bit of a fluke with the ball having taken a wicked deflection, but a downward glancing header from Kendall ensured Coughlin picked the ball out of The Dragons net. For the first time North Ferriby were in the lead at 3-2 on 101 minutes. Just before the first fifteen minutes were indicated, Wrexham’s Manny Smith just missed connecting with a toe poke to equalise. Despite coming agonisingly close to scoring Wrexham fans once again indicated their displeasure at the team.

During the second period North Ferriby heroically soaked up the pressure from Wrexham who had all their team in the opposition half for much of the time, with as many as seven players in the box at one point. The Villagers Nathan Peat cleared off the line and Danny Hone put in a brave sliding tackle just before Wrexham’s Bishop pulled the trigger. It was inevitable though that this Welsh onslaught could not be repelled forever. On 118 minutes a vicious half volley from Louis Moult gave Wrexham an equaliser to make the game at 3-3 after 120+ minutes.

PENALTIES

Here is a breakdown of how the penalty shootout panned out with each team having to take SEVEN penalties to find the winner. Which keeper would turn out to be the hero of the hour Wrexham’s Andy Coughlin or North Ferriby’s Adam Nicklin?

North Ferriby went first.                                 Wrexham went second

Liam King SCORED 1-0                                    Wes York SCORED 1-1

Nathan Jarman SCORED 2-1                        Andy Bishop SCORED 2-2

Ryan Kendall SCORED 3-2                             Conor Jennings SAVED 3-2

Jason St Juste SAVED 3-2                               Neil Ashton SAVED 3-2

Tom Denton SAVED 3-2                                   Louis Moult SCORED 3-3

Matt Wilson SCORED 4-3                              Blaine Hudson SCORED 4-4

Nathan Peat SCORED 5-4                              Steve Tomassen SAVED 5-4

FA TROPHY WINNER North Ferriby United: 0-1 ht; 2-2 ft; 3-3 aet; 5-4 pens.

Going into this match North Ferriby were in ninth position in the Conference North Division and Wrexham fifteenth in the Conference Premiership Division. Never before until now had a Conference North side beaten a Conference Premier one. North Ferriby certainly punched way above their weight but deservedly won the trophy. It was Wrexham’s accolade for the taking but they inexplicably conceded their advantage.

North Ferriby is a community in the Kingston-upon-Hull area with a population of just under 4000. No doubt many of them were in the 14585 crowd at Wembley where they witnessed a dream come true. I’m sure Jason St Juste was happy to live the dream and receive a winner’s medal, having given up the opportunity of representing St Kitts & Nevis in an international qualifier against Turks and Caicos Islands, to appear at Wembley.

I heard all the action unfold using a battery operated analogue AM radio because I was out of range for the Welsh DAB radio service, and I had no reception for my phone so was unable to use the BBC Radio player app. Thank goodness for old technology, as it was certainly an unforgettable experience listening to the commentary as The Villagers won the FA Carlsberg Trophy. Well done lads and many congratulations on your wonderful achievement.

Happy New Year China: Year of the Sheep 2015

On February 19th 2015 the Chinese celebrate their New Year and herald in the Year of the Sheep. In honour of this event I had a celebratory playlist for my latest hospital radio show, where all the ruling animals for the 12 lunar years were represented, either as a song or group. The order of play was determined by the animal signs position in the Chinese Zodiac (Rat-1 to Pig 12). The result was an eclectic mix of songs ranging from classic to children’s music that I hoped was unusual enough to keep patients interested and listening.

ANGIES ALLSORTS SHOW 156 RADIO LEIGHTON 18TH FEBRUARY 2015

7.30-8.35pm: Duration 1 hr 5m 37s

Playlist

  1. BOOMTOWN RATS with I DON’T LIKE MONDAYS
  2.  MICHAEL JACKSON with BEN (Rat)
  3. BOB MARLEY & THE WAILERS with BUFFALO SOLDIER (also described as Cow and Ox)
  4.  ABBA with TIGER

Rarity Record of the Week: 5. DEE JAY & THE RUNAWAYS with PETER RABBIT (famous rabbit)

  1. CLINTON FORD with PUFF THE MAGIC DRAGON (famous dragon)
  2. WHITESNAKE with IS THIS THE LOVE
  3. ROY RODGERS with A COWBOY NEEDS A HORSE
  4. SOUND OF MUSIC CAST with THE LONELY GOATHERD (also described as Ram and Sheep)
  5. NOEL RAWSTHORNE with (Bach’s) SHEEP MAY SAFELY GRAZE
  6. THEME TUNE to THE MONKEES (Monkey)
  7. THE ROLLING STONES with LITTLE RED ROOSTER
  8. THREE DOG NIGHT with MAMA TOLD ME NOT TO COME
  9.  PINKY & PERKY (singing PIGS) with WHO’S AFRAID OF THE BIG BAD WOLF (famous pig story)
  10. SAINT SAEN (excerpt) ORGAN SYMPHONY No 3 C MINOR opus 78 4th movement Maestoso (PIG) used in the film Babe.

You can stream my show and listen from here: https://soundcloud.com/angies_allsorts/happy-chinese-new-year-2015